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The play features three interlocking plots, all of which are connected
by a celebration of the wedding of Duke Theseus of Athens and the
Amazonian Hippolyta. Two young Athenian men, Lysander and Demetrius, are
both in love with the same woman, Hermia; Hermia herself loves Lysander,
but her friend, Helena, is in love with Demetrius. When the father of
Hermia forbids her to marry Lysander, the four pursue each other into
the woods around the city, losing themselves in the dark and in the maze
of their romantic entanglements. As usual with Shakespeare, the comedy
has a bitter-sweet note, when Hermia's two lovers both, temporarily,
turn against her in favour of Helena.
Meanwhile, Oberon, king of the fairies, and his estranged wife, Titania,
arrive in the same woods to attend the upcoming nuptials.
Titania refuses to lend her Indian page-boy to Oberon for use as
his 'henchman', and Oberon seeks to punish her for her
disobedience.
At the same time, a band of 'mechanicals'
(lower-class artisans) have arranged to perform a crude pageant
on the theme of Pyramus and Thisbe to stage for the wedding
festivities, and venture into the forest for their rehearsal.
Most notable among them is Nick Bottom the Weaver, one of
Shakespeare's most admired comic creations.
Oberon recruits the mischievous Puck (also
called to help him regain Titania's devotion, but his
simultaneous attempt to help the young lovers goes wrong,
resulting in confusion. Bottom finds his head transformed into that of an ass, and the
fairy queen is made to fall in love with him. |
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Oberon
, also Auberon, King of Shadows and Fairies is feuding with his wife
Titania, the
queen of the fairies. They are fighting over a baby that Oberon wants to raise
as his henchman.
Titania wants to keep the baby because he is the child of Titania's mortal
friend who died, and Titania want's to raise the child for her friend. Oberon
and Titania's quarrel has set nature in imbalance, causing drought and famine. |
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 Titania reigns as queen among her fairies,
guiding them, watching over them, and prodding them to do their jobs
well. She is all that is ethereal; her beauty cannot be captured in the
physical realm, nor beheld by the human eye. To see her loveliness would
be to fall deeply into her faerie world, fully held in the glamour, or
shaded, unreality of the fairies The Fairy Queen Titania's
name means daughter of the titans. The titans were the elder
gods who were the children of heaven and earth, and sprang from
chaos. They included Saturn, Rhea, Oceanus, Hyperion, and others. In
Ovid's Metamorphoses Titania is another name for Diana, as
well as other goddesses of the night, queens of the shadowy world,
ruling over its mystic elements and powers. Like Isis, who
personified the feminine, generative principle of universal nature,
Diana and the others are all nature goddesses. |
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Puck (also called
Hobgoblin and
Robin Goodfellow) is a mischief maker in the play. He puts
love-in-idleness juice on the eyes of Titania as commanded,
leaving her besotted with "rude mechanical" Nick Bottom the
Weaver (who furthermore has the head of a donkey following an
earlier encounter with Puck); but the second command he messes
up (partly due to incomplete instructions from Oberon), using
the potion on Hermia's true-love Lysander instead of on
Demetrius, and causing much confusion until things are
straightened out.
Mustardseed and
Peaseblossom are the representatives of the family of
flowers, the flora. Moth and Cobweb are represented
as relatives of the animal family, the fauna. |
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By far the best thing about director Michael Hoffman's A Midsummer
Night's Dream is the extraordinary all-star cast, which follows the
precedent created by Kenneth Branagh's Italian-set romantic Shakespeare
comedy, Much Ado About Nothing (1993), of mixing major Hollywood
stars--here Kevin Kline and Michelle Pfeiffer--with top British talent,
in this instance Christian Bale, Rupert Everett, Roger Rees, David
Strathairn and Dominic West. Kline makes a fine Nick Bottom, with
Pfeiffer equally good as the fairy queen Titania and Everett brooding
effectively as Oberon. Unfortunately, while both look ravishing, it is
hard to tell which actress between Anna Friel (Brookside) and
Calista Flockhart (Ally McBeal) gives the most wretched
performance. Both are completely out of their depth the moment they
begin to speak, and utterly outclassed by the excellent Sophie Marceau.
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